RULE Gallery

<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	>

<channel>
	<title>RULE Gallery</title>
	<link>http://www.rulegallery.com</link>
	<description>RULE Gallery</description>
	<pubDate>Sat, 28 Jan 2012 21:05:24 +0000</pubDate>
	<generator>http://www.rulegallery.com</generator>
	<language>en</language>
	
		
	<item>
		<title>KEVIN CURRY</title>
		<link>http://www.rulegallery.com/KEVIN-CURRY</link>
		<comments>http://www.rulegallery.com/following/rulegallery.com/KEVIN-CURRY</comments>
		<pubDate>Sat, 28 Jan 2012 21:05:24 +0000</pubDate>

		<dc:creator>RULE Gallery</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">2438419</guid>
		<description>KEVIN CURRY
My work involves a mapping of sorts, a multidisciplinary collection of history and storytelling that reflects the looked-over, passed-over, hidden and forgotten parts of our culture and lives. The codification of language and information is a key element as I chronicle the lost and discarded, the preserved and the relished. 

In considering heterogeneous cultural indicators and societal detritus such as discarded signage, disposed consumer items and mechanized devices, I combine my explorations with a strong tradition of mark and object making, while embracing the fusing of different media, technologies and approaches in an effort to transcend imposed artistic and societal boundaries. 

As I look to this tangible cultural debris for both introspection and inspiration, I embrace the repetition of the multiple and the freedom of the ‘do-over’ evident in the reclamation and re-presentation of discarded items and histories - materials reflective of both growth and decay. 

We leave behind so many artifacts, that we are being physically and metaphorically overrun by our own past as it ebbs and flows through and around our lives. It is these trace elements of past experiences – indicators of future events - that fuel my passion and my work.


&#60;img src="http://payload6.cargocollective.com/1/1/55761/2438419/days 447-front.jpg" border="0" width="600" height="202" width_o="600" height_o="202" src_o="http://payload6.cargocollective.com/1/1/55761/2438419/days 447-front_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;447 Days&#38;lt;/i&#38;gt;, 2011, reclaimed metal signs, 11 x 11 x 3 inches each&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload6.cargocollective.com/1/1/55761/2438419/home2_600.jpeg" border="0" width="600" height="592" width_o="608" height_o="600" src_o="http://payload6.cargocollective.com/1/1/55761/2438419/home2_o.jpeg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Home&#38;lt;/i&#38;gt;, 2011, 3,348 keyboard keys and wood, 42 x 42 x 3 inches&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload6.cargocollective.com/1/1/55761/2438419/jim pearl.jpg" border="0" width="600" height="352" width_o="600" height_o="352" src_o="http://payload6.cargocollective.com/1/1/55761/2438419/jim pearl_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Jim Pearl&#38;lt;/i&#38;gt;, 2011, reclaimed metal sign, 27 x 6 x 1.5 inches&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload6.cargocollective.com/1/1/55761/2438419/not an exit.jpg" border="0" width="565" height="600" width_o="565" height_o="600" src_o="http://payload6.cargocollective.com/1/1/55761/2438419/not an exit_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Not an Exit&#38;lt;/i&#38;gt;, 2011, reclaimed metal sign, plexiglass, 6 x 6 x 1 inches&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload6.cargocollective.com/1/1/55761/2438419/SewnSkyscape.jpg" border="0" width="600" height="208" width_o="600" height_o="208" src_o="http://payload6.cargocollective.com/1/1/55761/2438419/SewnSkyscape_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Seventy Landscapes I'll Never See Twice&#38;lt;/i&#38;gt;, 2011, reclaimed thrift store paintings, 28 x 10 inches&#38;lt;/center&#38;gt;"/&#62; 

</description>
		<wfw:commentRss></wfw:commentRss>

	</item>
		
		
	<item>
		<title>JACOB FEIGE</title>
		<link>http://www.rulegallery.com/JACOB-FEIGE</link>
		<comments>http://www.rulegallery.com/following/rulegallery.com/JACOB-FEIGE</comments>
		<pubDate>Sat, 16 Jul 2011 22:59:20 +0000</pubDate>

		<dc:creator>RULE Gallery</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">1737953</guid>
		<description>Jacob Feige
Jacob Feige has exhibited widely in the US and abroad, with recent exhibitions at Movement, UK, and Lombard Freid Projects, NY, and Chambers Fine Art, Beijing. His ongoing painting project explores abstraction in the context of landscape, bringing together disparate references from the Hudson River School to Buckminster Fuller. 

Reviews of Jacob's work have been published in Artforum, Freize, and TimeOut New York. His paintings are included in the Phaidon anthology of abstract painting, Painting Abstraction. He received an MFA in painting from the Cranbrook Academy of Art and a BHA from Carnegie Mellon. 



&#60;img src="http://payload.cargocollective.com/1/1/55761/1737953/after_sm.jpg" border="0" width="600" height="510" width_o="600" height_o="510" src_o="http://payload.cargocollective.com/1/1/55761/1737953/after_sm_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;After Image&#38;lt;/i&#38;gt;, 2009, oil and alkyd on canvas, 38 x 45 inches&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1737953/flying_sm.jpg" border="0" width="600" height="453" width_o="600" height_o="453" src_o="http://payload.cargocollective.com/1/1/55761/1737953/flying_sm_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Flying Lesson&#38;lt;/i&#38;gt;, 2009, oil and alkyd on canvas, 48 x 64 inches&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1737953/JF_AnotherField.jpg" border="0" width="600" height="468" width_o="600" height_o="468" src_o="http://payload.cargocollective.com/1/1/55761/1737953/JF_AnotherField_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Another Field&#38;lt;/i&#38;gt;, 2008, oil and alkyd on canvas, 84 x 108 inches&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1737953/JF_hummingAir.jpg" border="0" width="600" height="500" width_o="600" height_o="500" src_o="http://payload.cargocollective.com/1/1/55761/1737953/JF_hummingAir_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Humming Air&#38;lt;/i&#38;gt;, 2008,  oil and alkyd on canvas, 20 x 24 inches&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1737953/jf_lodgepole.jpg" border="0" width="600" height="505" width_o="600" height_o="505" src_o="http://payload.cargocollective.com/1/1/55761/1737953/jf_lodgepole_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Lodgepole Revival&#38;lt;/i&#38;gt;, 2009, oil and alkyd on canvas, 38 x 45 inches&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1737953/jf_moon.jpg" border="0" width="600" height="467" width_o="600" height_o="467" src_o="http://payload.cargocollective.com/1/1/55761/1737953/jf_moon_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Moon Over Harriman&#38;lt;/i&#38;gt;, 2009, oil and alkyd, 11 x 14 inches&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1737953/JF_SunBleached.jpg" border="0" width="600" height="480" width_o="600" height_o="480" src_o="http://payload.cargocollective.com/1/1/55761/1737953/JF_SunBleached_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Sun Bleached&#38;lt;/i&#38;gt;, 2007-08, oil and alkyd resin on canvas, 16 x 20 inches&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1737953/jf_thermal.jpg" border="0" width="600" height="457" width_o="600" height_o="457" src_o="http://payload.cargocollective.com/1/1/55761/1737953/jf_thermal_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Thermal Springs&#38;lt;/i&#38;gt;, 2009, oil and alkyd on canvas, 38 x 50 inches&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1737953/jf_umbra.jpg" border="0" width="600" height="467" width_o="600" height_o="467" src_o="http://payload.cargocollective.com/1/1/55761/1737953/jf_umbra_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Umbra&#38;lt;/i&#38;gt;, 2009, oil and alkyd on canvas, 20 x 24 inches&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1737953/windon_sm.jpg" border="0" width="600" height="481" width_o="600" height_o="481" src_o="http://payload.cargocollective.com/1/1/55761/1737953/windon_sm_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Wind on Water&#38;lt;/i&#38;gt;, 2009, oil and alkyd on canvas, 64 x 80 inches&#38;lt;/center&#38;gt;"/&#62; 

</description>
		<wfw:commentRss></wfw:commentRss>

	</item>
		
		
	<item>
		<title>ZACH REINI</title>
		<link>http://www.rulegallery.com/ZACH-REINI</link>
		<comments>http://www.rulegallery.com/following/rulegallery.com/ZACH-REINI</comments>
		<pubDate>Sat, 16 Jul 2011 21:49:00 +0000</pubDate>

		<dc:creator>RULE Gallery</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">1737884</guid>
		<description>ZACH REINI
Zach Reini’s current work explores human manufactured systems and their affect on behavior, experience and communication. This often involves manipulating the framework of social networks, codification methods or semiotics in order to depict the idea at hand. Through this manipulation characteristics can be extracted to either compound or negate the viewer’s expectations and guide their experience outside the baseline interpretation.
 
Systems, by nature, dictate a right and a wrong for their specified situation or they delineate specific parameters, which require strict compliance for full comprehension. “I aim to employ these traits out of their usual contexts to create a dilemma for the viewer: recognition of the system but an inability to immediately interpret its meaning. This delay of decoding caused by the condensation of information is of great interest to me in reference of the instant gratification of global culture and its available image library. Reduction to the simple rules of the “system” allows expansion of the work outward in order to approach the most successful scenario.”


&#60;img src="http://payload.cargocollective.com/1/1/55761/1737884/ZR_arizona.jpg" border="0" width="431" height="600" width_o="431" height_o="600" src_o="http://payload.cargocollective.com/1/1/55761/1737884/ZR_arizona_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Arizona&#38;lt;/i&#38;gt;, 2011, latex paint on canvas, 48 x 89 inches&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1737884/ZR_children.jpg" border="0" width="600" height="597" width_o="600" height_o="597" src_o="http://payload.cargocollective.com/1/1/55761/1737884/ZR_children_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Untitled (but its the children who are worrying me so much)&#38;lt;/i&#38;gt;, 2010, acrylic and graphite on canvas, 32 x 32 inches&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1737884/ZR_coward.jpg" border="0" width="600" height="315" width_o="600" height_o="315" src_o="http://payload.cargocollective.com/1/1/55761/1737884/ZR_coward_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Coward&#38;lt;/i&#38;gt;, gesso on canvas, 48 x 132 inches&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1737884/ZR_emptyroom.jpg" border="0" width="600" height="361" width_o="600" height_o="361" src_o="http://payload.cargocollective.com/1/1/55761/1737884/ZR_emptyroom_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Sonata For An Empty Room (Super Pro Frisbee)&#38;lt;/i&#38;gt;, 2011, turntable, amplifier, pallet, frisbee, corda, electricity&#38;lt;/center&#38;gt; "/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1737884/ZR_FamilyManII.jpg" border="0" width="402" height="600" width_o="402" height_o="600" src_o="http://payload.cargocollective.com/1/1/55761/1737884/ZR_FamilyManII_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;You Feel Like Such A Man With Your Christmas Lights (Family Man II)&#38;lt;/i&#38;gt;, rope, chain, case, fluorescent lights, electricity&#38;lt;/center&#38;gt;"/&#62; 


&#60;img src="http://payload.cargocollective.com/1/1/55761/1737884/ZR_myspace.jpg" border="0" width="600" height="341" width_o="600" height_o="341" src_o="http://payload.cargocollective.com/1/1/55761/1737884/ZR_myspace_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;http://www.myspace.com/thescenequeen&#38;lt;/i&#38;gt;, 2010, acrylic on canvas, 77 x 159 inches&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1737884/ZR_peergroup.jpg" border="0" width="600" height="423" width_o="600" height_o="423" src_o="http://payload.cargocollective.com/1/1/55761/1737884/ZR_peergroup_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Peer Group&#38;lt;/i&#38;gt;, 2011, inkjet print, 20 x 30 inches&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1737884/ZR_Coca-Cola.jpg" border="0" width="600" height="564" width_o="600" height_o="564" src_o="http://payload.cargocollective.com/1/1/55761/1737884/ZR_Coca-Cola_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Coca-Cola&#38;lt;/i&#38;gt;, 2011, latex paint on canvas, 72 x 72 inches&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1737884/ZR_Pepsi.jpg" border="0" width="600" height="564" width_o="600" height_o="564" src_o="http://payload.cargocollective.com/1/1/55761/1737884/ZR_Pepsi_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Pepsi&#38;lt;/i&#38;gt;, 2011, latex paint on canvas, 72 x 72 inches&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1737884/reini_wwmmd.jpg" border="0" width="600" height="771" width_o="600" height_o="771" src_o="http://payload.cargocollective.com/1/1/55761/1737884/reini_wwmmd_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;WWMMD?&#38;lt;/i&#38;gt;, 2011, latex paint on canvas, 72 x 96 inches&#38;lt;/center&#38;gt;"/&#62; 

</description>
		<wfw:commentRss></wfw:commentRss>

	</item>
		
		
	<item>
		<title>MARK SINK</title>
		<link>http://www.rulegallery.com/MARK-SINK</link>
		<comments>http://www.rulegallery.com/following/rulegallery.com/MARK-SINK</comments>
		<pubDate>Sat, 02 Jul 2011 22:56:20 +0000</pubDate>

		<dc:creator>RULE Gallery</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">1675409</guid>
		<description>MARK SINK
Mark Sink, photographer, curator and teacher, has been making a living from fine art photography since 1978. His personal work is in numerous museum collections as well as gallery solo and group shows in the US, South America and Europe. As a photographer of artwork he worked with and documented many noted artists lives and their work such as Andy Warhol and Jean Michel Basquiat and Rene Ricard.

Mark Sink’s most recent solo exhibition at RULE featured a rare collection of Warhol portraits. Titled, “The Untold Story,” the series is the photographic result of his formative experience of befriending Andy Warhol and hanging out at the Factory in the early 1980’s. This friendship allowed Sink unusual intimacy and comfort with the Pop Art icon, leading to highly personal portraits that document his influence and persona. Sink often used a Diana camera, a plastic “toy” whose quirks and inconsistencies created beautifully romantic black and white images. The artist employed this simple tool to create moving portraits of Jean-Michel Basquiat, Warhol and others. Most of these images had never been exhibited before. 



&#60;img src="http://payload.cargocollective.com/1/1/55761/1675409/MS_AndyAndCalvinKleinImage.jpg" border="0" width="600" height="448" width_o="600" height_o="448" src_o="http://payload.cargocollective.com/1/1/55761/1675409/MS_AndyAndCalvinKleinImage_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Andy and Calvin Klein Image&#38;lt;/i&#38;gt;, 1983, chromegenic print, ed. of 5, 8 x 10 inches&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1675409/MS_AndyAndCow.jpg" border="0" width="447" height="600" width_o="447" height_o="600" src_o="http://payload.cargocollective.com/1/1/55761/1675409/MS_AndyAndCow_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Andy &#38;amp; Cow in Fort Collins, CO&#38;lt;/i&#38;gt;, 1981, chromegenic print, ed. of 5, 8 x 10 inches&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1675409/MS_AndyAndLizaFilming.jpg" border="0" width="450" height="600" width_o="450" height_o="600" src_o="http://payload.cargocollective.com/1/1/55761/1675409/MS_AndyAndLizaFilming_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Andy and Liza Filming&#38;lt;/i&#38;gt;, 1984, chromegenic print, ed. of 5, 8 x 10  inches&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1675409/MS_AndyAtHisDesk.jpg" border="0" width="447" height="600" width_o="447" height_o="600" src_o="http://payload.cargocollective.com/1/1/55761/1675409/MS_AndyAtHisDesk_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Andy at his Desk in the Factory&#38;lt;/i&#38;gt;, 1982, silver gelatin print, ed. of 5, 8 x 10 inches&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1675409/MS_AndyInLA.jpg" border="0" width="444" height="600" width_o="444" height_o="600" src_o="http://payload.cargocollective.com/1/1/55761/1675409/MS_AndyInLA_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Andy in Los Angeles&#38;lt;/i&#38;gt;, 1981, silver gelatin print, ed. of 5, 8 x 10 inches&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1675409/MS_CassieHead.jpg" border="0" width="468" height="600" width_o="468" height_o="600" src_o="http://payload.cargocollective.com/1/1/55761/1675409/MS_CassieHead_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Cassie Head&#38;lt;/i&#38;gt;, 2008, collodion wet plate, 4.5 x 5.5 inches&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1675409/MS_CloseUpOfAndy.jpg" border="0" width="428" height="600" width_o="428" height_o="600" src_o="http://payload.cargocollective.com/1/1/55761/1675409/MS_CloseUpOfAndy_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Close Up of Andy in the Factory 860 Broadway&#38;lt;/i&#38;gt;, 1983, chromegenic print, ed. of 5, 8 x 10 inches&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1675409/MS_DawnCurls.jpg" border="0" width="465" height="600" width_o="465" height_o="600" src_o="http://payload.cargocollective.com/1/1/55761/1675409/MS_DawnCurls_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Dawn Curfs&#38;lt;/i&#38;gt;, 2008, collodion wet plates, 4.5 x 5.5 inches&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1675409/MS_Jenny.jpg" border="0" width="600" height="468" width_o="600" height_o="468" src_o="http://payload.cargocollective.com/1/1/55761/1675409/MS_Jenny_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Jenny&#38;lt;/i&#38;gt;, 2008, collodion wet plate, 4.5 x 5.5 inches&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1675409/MS_Kristen035.jpg" border="0" width="467" height="600" width_o="467" height_o="600" src_o="http://payload.cargocollective.com/1/1/55761/1675409/MS_Kristen035_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Kristen 035&#38;lt;/i&#38;gt;, collodion wet plate, 4.5 x 5.5 inches&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1675409/MS_KristenFlowers.jpg" border="0" width="465" height="600" width_o="465" height_o="600" src_o="http://payload.cargocollective.com/1/1/55761/1675409/MS_KristenFlowers_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Kristen Flowers&#38;lt;/i&#38;gt;, 2008, collodion wet plate, 4.6 x 6.6 inches&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1675409/MS_KristenHeadInDatura.jpg" border="0" width="464" height="600" width_o="464" height_o="600" src_o="http://payload.cargocollective.com/1/1/55761/1675409/MS_KristenHeadInDatura_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Kristen Head in Datura&#38;lt;/i&#38;gt;, 2008, collodion wet plate, 4.5 x 5.5 inches&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1675409/MS_KristenSitting.jpg" border="0" width="465" height="600" width_o="465" height_o="600" src_o="http://payload.cargocollective.com/1/1/55761/1675409/MS_KristenSitting_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Kristen Sitting&#38;lt;/i&#38;gt;, 2008, collodion wet plate, 4.5 x 5.5 inches&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1675409/MS_Lina6748.jpg" border="0" width="469" height="600" width_o="469" height_o="600" src_o="http://payload.cargocollective.com/1/1/55761/1675409/MS_Lina6748_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Lina&#38;lt;/i&#38;gt;, 2008, collodion wet plate, 4.5 x 5.5 inches&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1675409/MS_LinaBlue.jpg" border="0" width="470" height="600" width_o="470" height_o="600" src_o="http://payload.cargocollective.com/1/1/55761/1675409/MS_LinaBlue_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Lina Blue&#38;lt;/i&#38;gt;, 2008, collodion wet plate, 4.5 x 5.5 inches&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1675409/MS_Sascha38.jpg" border="0" width="467" height="600" width_o="467" height_o="600" src_o="http://payload.cargocollective.com/1/1/55761/1675409/MS_Sascha38_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Sascha 38&#38;lt;/i&#38;gt;, 2008, collodion wet plate, 4.5 x 5.5 inches&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1675409/MS_SelfPortraitOfAndyWarhol.jpg" border="0" width="600" height="452" width_o="600" height_o="452" src_o="http://payload.cargocollective.com/1/1/55761/1675409/MS_SelfPortraitOfAndyWarhol_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Self Portrait of Andy Warhol&#38;lt;/i&#38;gt;, 1982, silver gelatin print, ed. of 5, 8 x 10 inches&#38;lt;/center&#38;gt;"/&#62; 

</description>
		<wfw:commentRss></wfw:commentRss>

	</item>
		
		
	<item>
		<title>TERESA BOOTH BROWN</title>
		<link>http://www.rulegallery.com/TERESA-BOOTH-BROWN</link>
		<comments>http://www.rulegallery.com/following/rulegallery.com/TERESA-BOOTH-BROWN</comments>
		<pubDate>Wed, 08 Jun 2011 00:40:38 +0000</pubDate>

		<dc:creator>RULE Gallery</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">1536860</guid>
		<description>TERESA BOOTH BROWN
My work is a chance to make order out of chaos; to organize thoughts and ideas that resist written language.

Starting with a simple composition each painting is developed intuitively by the addition and subtraction of layers of paint, collage, and drawing. I first lay down a collage layer which is created rapidly and spontaneously. I meditate on the arrangement and rework elements adding and removing paint until form, color, and line bring together multiple layers of visual information. Pencil line is added where linear clarification is needed. Positive and negative space are considered. What emerges and what stays hidden are both examined until intellect and emotion are satisfied.  The compositions are formed completely through this careful and archaeological process and are not preconceived. 

In the studio I work on a large number of pieces at one time. This ensures that the work begins to have a conversation with itself and facilitates the emergence of possible tangents, resulting in a richer exchange. The paintings are at once interior, diagram, landscape, architecture, still life, and abstraction. They are like little lives that grow, change, and evolve until finally achieving their own identity. This identity is a visual equation. An idea of order achieved through contemplation.

Teresa graduated from Bennington College in Painting in 1985 and was subsequently a fellow at Skowhegan School of Painting and Sculpture, and a resident artist at The Anderson Ranch Arts Center. Born in Portland, Oregon, she now lives and works on a farm in Northern Colorado.



&#60;img src="http://payload.cargocollective.com/1/1/55761/1536860/brief.jpeg" border="0" width="600" height="139" width_o="600" height_o="139" src_o="http://payload.cargocollective.com/1/1/55761/1536860/brief_o.jpeg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Brief&#38;lt;/i&#38;gt;, 2009, oil and collage on wood panel, 12 x 48 inches&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1536860/literal.jpeg" border="0" width="475" height="114" width_o="475" height_o="114" src_o="http://payload.cargocollective.com/1/1/55761/1536860/literal_o.jpeg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Literal&#38;lt;/i&#38;gt;, 2009, oil and collage on wood panel, 12 x 48 inches&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1536860/sensible.jpg" border="0" width="600" height="178" width_o="600" height_o="178" src_o="http://payload.cargocollective.com/1/1/55761/1536860/sensible_o.jpg" align="left" caption="&#38;lt;center&#38;gt;Sensible&#38;lt;/i&#38;gt;, oil and collage on wood panel&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1536860/sudden.jpeg" border="0" width="600" height="149" width_o="600" height_o="149" src_o="http://payload.cargocollective.com/1/1/55761/1536860/sudden_o.jpeg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Sudden, 2009, oil and collage on wood panel, 12 x 48 inches&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1536860/TB_Obdurate.jpg" border="0" width="600" height="149" width_o="600" height_o="149" src_o="http://payload.cargocollective.com/1/1/55761/1536860/TB_Obdurate_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Obdurate&#38;lt;/i&#38;gt;, oil and collage on wood panel, diptych 24 x 96 inches&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1536860/TB_Oblivious.jpg" border="0" width="600" height="145" width_o="600" height_o="145" src_o="http://payload.cargocollective.com/1/1/55761/1536860/TB_Oblivious_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Oblivious&#38;lt;/i&#38;gt;, 2011, oil and collage on wood panel, diptych 24 x 96 inches&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1536860/TB_Obscure.jpg" border="0" width="600" height="146" width_o="600" height_o="146" src_o="http://payload.cargocollective.com/1/1/55761/1536860/TB_Obscure_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Obscure&#38;lt;/i&#38;gt;, 2011, oil and collage on wood panel, diptych 24 x 96 inches&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1536860/TB_Wyomig-11.jpg" border="0" width="600" height="216" width_o="600" height_o="216" src_o="http://payload.cargocollective.com/1/1/55761/1536860/TB_Wyomig-11_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Wyoming #11, 2010, oil and collage on panel, 11 x 30 inches&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1536860/TB_Wyoming-9.jpg" border="0" width="600" height="220" width_o="600" height_o="220" src_o="http://payload.cargocollective.com/1/1/55761/1536860/TB_Wyoming-9_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Wyoming #9&#38;lt;/i&#38;gt;, 2010, oil and collage on paper, 11 x 30 inches&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1536860/TB_Wyoming-19.jpg" border="0" width="600" height="219" width_o="600" height_o="219" src_o="http://payload.cargocollective.com/1/1/55761/1536860/TB_Wyoming-19_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Wyoming #19&#38;lt;/i&#38;gt;, 2010, oil and collage on paper, 11 x 30 inches&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1536860/TB_wyoming-29.jpg" border="0" width="600" height="214" width_o="600" height_o="214" src_o="http://payload.cargocollective.com/1/1/55761/1536860/TB_wyoming-29_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Wyoming #29&#38;lt;/i&#38;gt;, 2010, oil and collage on paper, 11 x 30 inches&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1536860/TB_Wyoming-30.jpg" border="0" width="600" height="204" width_o="600" height_o="204" src_o="http://payload.cargocollective.com/1/1/55761/1536860/TB_Wyoming-30_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Wyoming #30&#38;lt;/i&#38;gt;, 2010, oil and collage on paper, 11 x 30 inches&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1536860/tentative.jpg" border="0" width="600" height="177" width_o="600" height_o="177" src_o="http://payload.cargocollective.com/1/1/55761/1536860/tentative_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Tentative&#38;lt;/i&#38;gt;, oil and collage on paper&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1536860/wyoming -4.jpg" border="0" width="600" height="215" width_o="600" height_o="215" src_o="http://payload.cargocollective.com/1/1/55761/1536860/wyoming -4_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Wyoming #4&#38;lt;/i&#38;gt;, 2010, oil and collage on paper, 11 x 30 inches&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1536860/wyoming -22.jpg" border="0" width="600" height="216" width_o="600" height_o="216" src_o="http://payload.cargocollective.com/1/1/55761/1536860/wyoming -22_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Wyoming #22&#38;lt;/i&#38;gt;, 2010, oil and collage on paper, 11 x 30 inches&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1536860/wyoming-10.jpg" border="0" width="600" height="211" width_o="600" height_o="211" src_o="http://payload.cargocollective.com/1/1/55761/1536860/wyoming-10_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Wyoming #10&#38;lt;/i&#38;gt;, 2010, oil and collage on paper, 11 x 30 inches&#38;lt;/center&#38;gt;"/&#62; </description>
		<wfw:commentRss></wfw:commentRss>

	</item>
		
		
	<item>
		<title>HOLLY SUMNER</title>
		<link>http://www.rulegallery.com/HOLLY-SUMNER</link>
		<comments>http://www.rulegallery.com/following/rulegallery.com/HOLLY-SUMNER</comments>
		<pubDate>Tue, 07 Jun 2011 23:30:37 +0000</pubDate>

		<dc:creator>RULE Gallery</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">1512334</guid>
		<description>HOLLY SUMNER
I am interested in the subjective and personal aspects of science and nature, observation and collecting.Scientific texts, natural history compendiums and field guides of every sort are the sources of my imagery and inform the structure, composition and color of my drawings and paintings. 

My work composes an informational diagram or practical element and a depiction of an organism. I am presenting something about the scales of biological systems, the unseen beauty of the morphology, the ecological position and role in evolution. 

Drawing with pressed seaweed refers to collections and the manner in which they were composed.In other drawings and paintings, programs for controlling instrumentation and analyzing data float with imagery of microscopic ocean organisms culled from old text books.  The presentation on uncradled wood hung by leather cords refers to alter pieces and icons.

I began observing nature with my family.  My understanding was shaped by imagery on many scales;  the color of a bird’s wing, the hatch over a stream, a mountain ridge.

I received my MFA from CU, Boulder. Exhibitions in Colorado included solo shows and the Colorado Biennial, which opened at the Denver Art Museum. After moving to New York my work began to evolve into a more cryptic vision of nature.  Group shows in New York include Artists Space, The Drawing Center, Charles Cowles, Exit Art and DUMBO Art Center.  I had a one-person show at Skep Gallery in Soho and at the Boulder Museum for Contemporary Art. I was awarded a residency at the Virginia Center for the Creative Arts in 1997. More recently I have participated in shows in New York City, Brooklyn, Martha’s Vineyard, Santa Fe, Honolulu, and Cork, Ireland.  My drawings are included in the flatfiles at Pierogi and Kentler International Art.

I work and live in Brooklyn, NY and Grand Lake, CO.




&#60;img src="http://payload.cargocollective.com/1/1/55761/1512334/HS_Cladonema.jpg" border="0" width="596" height="600" width_o="596" height_o="600" src_o="http://payload.cargocollective.com/1/1/55761/1512334/HS_Cladonema_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Cladonema&#38;lt;/i&#38;gt;, 2011, acrylic on framed uncradled plywood, leather cord, 26.5x26.5 inches&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1512334/HS_Amphicaryon.jpg" border="0" width="600" height="603" width_o="600" height_o="603" src_o="http://payload.cargocollective.com/1/1/55761/1512334/HS_Amphicaryon_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Amphicaryon&#38;lt;/i&#38;gt;, 2007, acrylic on uncradled plywood, 24 x 24 inches&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1512334/HS_Amphicaryon2.jpg" border="0" width="600" height="603" width_o="600" height_o="603" src_o="http://payload.cargocollective.com/1/1/55761/1512334/HS_Amphicaryon2_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Amphicaryon 2&#38;lt;/i&#38;gt;, 2011, acrylic on framed uncradled plywood and leather cord, 26.5 x 25.5 inches&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1512334/HS_AR1.jpg" border="0" width="600" height="484" width_o="600" height_o="484" src_o="http://payload.cargocollective.com/1/1/55761/1512334/HS_AR1_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;AR1&#38;lt;/i&#38;gt;, 2005, pencil gouache on paper, 45 x 56 inches&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1512334/HS_AR3.jpg" border="0" width="600" height="425" width_o="600" height_o="425" src_o="http://payload.cargocollective.com/1/1/55761/1512334/HS_AR3_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;AR2&#38;lt;/i&#38;gt;, 2005, pencil gouache on paper, 45 x 64 inches&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1512334/HS_RosaPicata.jpg" border="0" width="464" height="600" width_o="464" height_o="600" src_o="http://payload.cargocollective.com/1/1/55761/1512334/HS_RosaPicata_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Rosa Picata&#38;lt;/i&#38;gt;, acrylic on wood, leather cord, 7.75 x 9.75 inches&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1512334/HS_Ulva4.jpg" border="0" width="450" height="600" width_o="450" height_o="600" src_o="http://payload.cargocollective.com/1/1/55761/1512334/HS_Ulva4_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Ulva 4&#38;lt;/i&#38;gt;, 2010, pressed seaweed, gouache on paper, 14 x 10 inches&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1512334/HS_Ulva5.jpg" border="0" width="439" height="600" width_o="439" height_o="600" src_o="http://payload.cargocollective.com/1/1/55761/1512334/HS_Ulva5_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Ulva 5&#38;lt;/i&#38;gt;, 2010, pressed seaweed, gouache on paper, 14 x 10 inches&#38;lt;/center&#38;gt;"/&#62; 
</description>
		<wfw:commentRss></wfw:commentRss>

	</item>
		
		
	<item>
		<title>SANDY SKOGLUND</title>
		<link>http://www.rulegallery.com/SANDY-SKOGLUND</link>
		<comments>http://www.rulegallery.com/following/rulegallery.com/SANDY-SKOGLUND</comments>
		<pubDate>Sat, 21 May 2011 22:53:11 +0000</pubDate>

		<dc:creator>RULE Gallery</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">1479502</guid>
		<description>SANDY SKOGLUND
Sandy Skoglund was born in Quincy, Massachusetts in 1946.  Skoglund studied studio art and art history at Smith College in Northampton, Massachusetts from 1964-68. She went on to graduate school at the University of Iowa in 1969 where she studied filmmaking, intaglio printmaking, and multimedia art, receiving her M.A. in 1971 and her M.F.A. in painting in 1972. 

Skoglund moved to New York City in 1972, where she started working as a conceptual artist, dealing with repetitive, process-oriented art production through the techniques of mark-making and photocopying. In the late seventies Skoglund’s desire to document conceptual ideas led her to teach herself photography. This developing interest in photographic technique became fused with her interest in popular culture and commercial picture making strategies, resulting in the directorial tableau work she is known for today. Skoglund currently lives in Jersey City, New Jersey.



&#60;img src="http://payload.cargocollective.com/1/1/55761/1479502/Eyeflake3sm_24.jpg" border="0" width="559" height="600" width_o="559" height_o="600" src_o="http://payload.cargocollective.com/1/1/55761/1479502/Eyeflake3sm_24_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Eyeflake 3&#38;lt;/i&#38;gt;, 2011, photograph fired on glazed handmade ceramic form, 13-15 inches (varies) diameter&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1479502/Eyeflake4sm_25.jpg" border="0" width="600" height="483" width_o="600" height_o="483" src_o="http://payload.cargocollective.com/1/1/55761/1479502/Eyeflake4sm_25_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Eyeflake 4&#38;lt;/i&#38;gt;, 2011, photograph fired on glazed handmade ceramic form, 13-15 inches (varies) diameter&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1479502/Eyeflake5sm_26.jpg" border="0" width="600" height="450" width_o="600" height_o="450" src_o="http://payload.cargocollective.com/1/1/55761/1479502/Eyeflake5sm_26_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Eyeflake 5&#38;lt;/i&#38;gt;, 2011, photograph fired on glazed handmade ceramic form, 13-15 inches (varies) diameter&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1479502/ABreezeAtWork.jpg" border="0" width="600" height="469" width_o="600" height_o="469" src_o="http://payload.cargocollective.com/1/1/55761/1479502/ABreezeAtWork_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;A Breeze at Work&#38;lt;/i&#38;gt;, 1987, Cibachrome photograph, sold out&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1479502/SS_3Leaves_Blue.jpg" border="0" width="576" height="600" width_o="576" height_o="600" src_o="http://payload.cargocollective.com/1/1/55761/1479502/SS_3Leaves_Blue_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Cast Leaves from &#38;quot;A Breeze at Work&#38;quot;&#38;lt;/i&#38;gt;, 1987, cast polyester resin from original bronze sculpture, 10 - 21 inches (varies)&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1479502/SS_AsFarAsTheEyeCanSee.jpg" border="0" width="600" height="462" width_o="600" height_o="462" src_o="http://payload.cargocollective.com/1/1/55761/1479502/SS_AsFarAsTheEyeCanSee_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;As Far as the Eye Can See&#38;lt;/i&#38;gt;, 2001,  pigmented archival inkjet, 32 x 42 inches&#38;lt;/center&#38;gt;  "/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1479502/SS_Radioactivecats.jpg" border="0" width="600" height="480" width_o="600" height_o="480" src_o="http://payload.cargocollective.com/1/1/55761/1479502/SS_Radioactivecats_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Radioactive Cats&#38;lt;/i&#38;gt;, 1980, Cibachrome photograph, sold out&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1479502/Cat1.jpg" border="0" width="600" height="402" width_o="600" height_o="402" src_o="http://payload.cargocollective.com/1/1/55761/1479502/Cat1_o.jpg" align="left" caption="&#38;lt;Center&#38;gt;&#38;lt;i&#38;gt;Cast Cat from &#38;quot;Radioactive Cats&#38;quot;&#38;lt;/i&#38;gt;, 2011, polyester resin, 15 x 10 inches&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1479502/Cat2.jpg" border="0" width="600" height="532" width_o="600" height_o="532" src_o="http://payload.cargocollective.com/1/1/55761/1479502/Cat2_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Cast Cat 2 from &#38;quot;Radioactive Cats&#38;quot;&#38;lt;/i&#38;gt;, 2011, polyester resin, 15 x 10 inches&#38;lt;center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1479502/RevengeOfTheGoldfish.jpg" border="0" width="600" height="476" width_o="600" height_o="476" src_o="http://payload.cargocollective.com/1/1/55761/1479502/RevengeOfTheGoldfish_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Revenge of the Goldfish&#38;lt;/i&#38;gt;, 1981, Cibachrome photograph, sold out&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1479502/fish1.jpg" border="0" width="600" height="217" width_o="600" height_o="217" src_o="http://payload.cargocollective.com/1/1/55761/1479502/fish1_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Cast Fish from &#38;quot;Revenge of the Goldfish&#38;quot;&#38;lt;/i&#38;gt;, 2011, polyester resin, 12 x 6 inches&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1479502/fish3.jpg" border="0" width="600" height="212" width_o="600" height_o="212" src_o="http://payload.cargocollective.com/1/1/55761/1479502/fish3_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Cast Fish 2 from &#38;quot;Revenge of the Goldfish&#38;quot;&#38;lt;/i&#38;gt;, 2011, polyester resin, 12 x 6 inches&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1479502/SS_GatheringParadise.jpg" border="0" width="600" height="477" width_o="600" height_o="477" src_o="http://payload.cargocollective.com/1/1/55761/1479502/SS_GatheringParadise_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Gathering Paradise&#38;lt;/i&#38;gt;, 1991, Cibachrome photograph, 47.25 x 61 inches&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1479502/SS_squirrel2onwallsmall.jpg" border="0" width="600" height="450" width_o="600" height_o="450" src_o="http://payload.cargocollective.com/1/1/55761/1479502/SS_squirrel2onwallsmall_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Cast Squirrel from &#38;quot;Gathering Paradise&#38;quot;&#38;lt;/i&#38;gt;, 2011, polyester resin, 18 x 6 x 6 inches&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1479502/SS_wedding.jpg" border="0" width="600" height="480" width_o="600" height_o="480" src_o="http://payload.cargocollective.com/1/1/55761/1479502/SS_wedding_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;The Wedding&#38;lt;/i&#38;gt;, 1994, edition 15/30, Cibachrome photograph, 38.25 x 48 inches&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1479502/SS_ThreeRoses.jpg" border="0" width="600" height="450" width_o="600" height_o="450" src_o="http://payload.cargocollective.com/1/1/55761/1479502/SS_ThreeRoses_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Cast Rose from &#38;quot;The Wedding&#38;quot;&#38;lt;/i&#38;gt;, 1994, glazed terracotta, sizes vary&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1479502/SS_Iron_.jpg" border="0" width="600" height="470" width_o="600" height_o="470" src_o="http://payload.cargocollective.com/1/1/55761/1479502/SS_Iron__o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Iron from &#38;quot;Reflections Inside a Mobile Home&#38;quot;&#38;lt;/i&#38;gt;, 1977, pigmented inkjet print, edition 5/12, 23 x 27.5 inches (framed)&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1479502/SS_PinkSink_.jpg" border="0" width="600" height="573" width_o="600" height_o="573" src_o="http://payload.cargocollective.com/1/1/55761/1479502/SS_PinkSink__o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Pink Sink from &#38;quot;Reflections Inside a Mobile Home&#38;quot;&#38;lt;/i&#38;gt;, 1977, pigmented inkjet print, edition 5/12, 23 x 23.75 inches (framed)&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1479502/SS_Medicine_.jpg" border="0" width="600" height="468" width_o="600" height_o="468" src_o="http://payload.cargocollective.com/1/1/55761/1479502/SS_Medicine__o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Medicine Cabinet from &#38;quot;Reflections Inside a Mobile Home&#38;quot;&#38;lt;/i&#38;gt;, 1977, pigmented inkjet print, edition 5/12, 23 x 27.5 inches&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1479502/SS_Self_.jpg" border="0" width="600" height="413" width_o="600" height_o="413" src_o="http://payload.cargocollective.com/1/1/55761/1479502/SS_Self__o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Self Portrait from &#38;quot;Reflections Inside a Mobile Home&#38;quot;&#38;lt;/i&#38;gt;, 1977, pigmented inkjet print, edition 5/12, 23 x 30.5 inches (framed)&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1479502/SS_Toaster.jpg" border="0" width="600" height="471" width_o="600" height_o="471" src_o="http://payload.cargocollective.com/1/1/55761/1479502/SS_Toaster_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Reflections Inside a Mobile Home&#38;quot;&#38;lt;/i&#38;gt;, 1977, pigmented inkjet print, edition 5/12, 23 x 27.5 inches (framed)&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1479502/SS_Peaches_.jpg" border="0" width="589" height="600" width_o="589" height_o="600" src_o="http://payload.cargocollective.com/1/1/55761/1479502/SS_Peaches__o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Peaches from&#38;quot;Reflections Inside a Mobile Home&#38;quot;&#38;lt;/i&#38;gt;, 1977, pigmented inkjet print, edition 5/12, 23 x 30.5 inches (framed)&#38;lt;/center&#38;gt;"/&#62; 



&#60;img src="http://payload.cargocollective.com/1/1/55761/1479502/SS_TelleCall_.jpg" border="0" width="489" height="600" width_o="489" height_o="600" src_o="http://payload.cargocollective.com/1/1/55761/1479502/SS_TelleCall__o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Telephone Call&#38;lt;/i&#38;gt;, 1977, pigmented inkjet print, edition 5/12, 23 x 30.5 inches (framed)&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1479502/SS_RedHead_.jpg" border="0" width="600" height="616" width_o="600" height_o="616" src_o="http://payload.cargocollective.com/1/1/55761/1479502/SS_RedHead__o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Red Head&#38;lt;/i&#38;gt;, 1977, pigmented inkjet print, edition 5/12, 23 x 30.5 inches &#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1479502/SS_Looking_.jpg" border="0" width="537" height="600" width_o="537" height_o="600" src_o="http://payload.cargocollective.com/1/1/55761/1479502/SS_Looking__o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Looking&#38;lt;/i&#38;gt;, 1977, pigmented inkjet print, edition 5/12, 23 x 30.5 inches &#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1479502/SS_Blonde_.jpg" border="0" width="600" height="603" width_o="600" height_o="603" src_o="http://payload.cargocollective.com/1/1/55761/1479502/SS_Blonde__o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Blonde&#38;lt;/i&#38;gt;, 1977, pigmented inkjet print, edition 5/12, 23 x 30.5 inches &#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1479502/SS_AlFiddle__35_600.jpg" border="0" width="600" height="588" width_o="612" height_o="600" src_o="http://payload.cargocollective.com/1/1/55761/1479502/SS_AlFiddle__35_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Playing The Fiddle&#38;lt;/i&#38;gt;, 1977, pigmented inkjet print, edition 5/12, 23 x 30.5 inches &#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1479502/SS_TheGreenHouse.jpg" border="0" width="600" height="482" width_o="600" height_o="482" src_o="http://payload.cargocollective.com/1/1/55761/1479502/SS_TheGreenHouse_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;The Green House&#38;lt;/i&#38;gt;, 1990, Cibachrome print, 46.25 x 59.25 inches&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1479502/SS_Chihuahua_front.jpg" border="0" width="450" height="600" width_o="450" height_o="600" src_o="http://payload.cargocollective.com/1/1/55761/1479502/SS_Chihuahua_front_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Chihuahua from &#38;quot;Revenge of the Goldfish&#38;quot;&#38;lt;/i&#38;gt;, 1990, cast polyester resin from original clay sculpture, 15 x 8 x 15 inches&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1479502/SS_GermsAreEverywhere_12.jpg" border="0" width="600" height="511" width_o="600" height_o="511" src_o="http://payload.cargocollective.com/1/1/55761/1479502/SS_GermsAreEverywhere_12_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Germs are Everywhere&#38;lt;/i&#38;gt;, 1984, Cibachrome photograph, 25.5 x 31.5 inches&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1479502/SS_CATS IN PARIS.jpg" border="0" width="600" height="487" width_o="600" height_o="487" src_o="http://payload.cargocollective.com/1/1/55761/1479502/SS_CATS IN PARIS_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Cats in Paris&#38;lt;/i&#38;gt;, 1993, photolithograph: ink on Ragcote paper, 20 X 25.5 inches&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1479502/SS_CookiesOnAPlate.jpg" border="0" width="600" height="474" width_o="600" height_o="474" src_o="http://payload.cargocollective.com/1/1/55761/1479502/SS_CookiesOnAPlate_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Cookies on a Plate&#38;lt;/i&#38;gt;, 1979, Cibachrome color photograph, 22 x 27.5 inches&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1479502/SS_CubedCarrotsandKernelsofCorn.jpg" border="0" width="600" height="487" width_o="600" height_o="487" src_o="http://payload.cargocollective.com/1/1/55761/1479502/SS_CubedCarrotsandKernelsofCorn_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Cubed Carrots and Kernels of Corn&#38;lt;/i&#38;gt;, 1979, Cibachrome color photograph, 22 x 27.5 inches&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1479502/SS_Fern.jpg" border="0" width="600" height="491" width_o="600" height_o="491" src_o="http://payload.cargocollective.com/1/1/55761/1479502/SS_Fern_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Ferns&#38;lt;/i&#38;gt;, 1980, Cibachrome color photograph, 27 X 34 inches&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1479502/SS_FoxGames.jpg" border="0" width="600" height="455" width_o="600" height_o="455" src_o="http://payload.cargocollective.com/1/1/55761/1479502/SS_FoxGames_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Fox Games&#38;lt;/i&#38;gt;, 1989, Cibachrome color photograph, 46.25 X 63 inches&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1479502/SS_FreshHybrid.jpg" border="0" width="600" height="395" width_o="600" height_o="395" src_o="http://payload.cargocollective.com/1/1/55761/1479502/SS_FreshHybrid_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Fresh Hybrid&#38;lt;/i&#38;gt;, 2008, pigmented inkjet on paper, 38 x 58 inches&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1479502/SS_PatientsAndNurses.jpg" border="0" width="600" height="469" width_o="600" height_o="469" src_o="http://payload.cargocollective.com/1/1/55761/1479502/SS_PatientsAndNurses_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Patients and Nurses&#38;lt;/i&#38;gt;, 1982, Cibachrome print, 27 x 34 inches&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1479502/SS_PeasOnPlate.jpg" border="0" width="600" height="473" width_o="600" height_o="473" src_o="http://payload.cargocollective.com/1/1/55761/1479502/SS_PeasOnPlate_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Peas on Plate&#38;lt;/i&#38;gt;, 1978, Cibachrome print, 36 x 46 inches&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1479502/SS_PinicOnWine.jpg" border="0" width="600" height="491" width_o="600" height_o="491" src_o="http://payload.cargocollective.com/1/1/55761/1479502/SS_PinicOnWine_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Picnic on Wine, 2003, pigmented inkjet print, 44 x 50 inches&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1479502/SS_ShimmeringMadness.jpg" border="0" width="600" height="482" width_o="600" height_o="482" src_o="http://payload.cargocollective.com/1/1/55761/1479502/SS_ShimmeringMadness_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Shimmering Madness&#38;lt;/i&#38;gt;, 1998, Cibachrome print, 36 x 46 inches&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1479502/SS_Spoons.jpg" border="0" width="600" height="460" width_o="600" height_o="460" src_o="http://payload.cargocollective.com/1/1/55761/1479502/SS_Spoons_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Spoons&#38;lt;/i&#38;gt;, 1979, Cibachrome print, 26.5 x 34 inches&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1479502/SS_TheCocktailParty.jpg" border="0" width="600" height="456" width_o="600" height_o="456" src_o="http://payload.cargocollective.com/1/1/55761/1479502/SS_TheCocktailParty_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;The Cocktail Party&#38;lt;/i&#38;gt;, 1992, Cibachrome print, 48 x 65 inches&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1479502/SS_WalkingOnEggShells.jpg" border="0" width="600" height="455" width_o="600" height_o="455" src_o="http://payload.cargocollective.com/1/1/55761/1479502/SS_WalkingOnEggShells_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Walking on Eggshells&#38;lt;/i&#38;gt;, 1997, Cibachrome print, 47 3/8 x 60 inches&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1479502/SS_9SlicesofMarble.jpg" border="0" width="600" height="471" width_o="600" height_o="471" src_o="http://payload.cargocollective.com/1/1/55761/1479502/SS_9SlicesofMarble_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Nine Slices of Marble Cake, 1978, color photograph, 22 x 28 inches&#38;lt;/center&#38;gt;"/&#62; 


</description>
		<wfw:commentRss></wfw:commentRss>

	</item>
		
		
	<item>
		<title>MARGARET NEUMANN</title>
		<link>http://www.rulegallery.com/MARGARET-NEUMANN</link>
		<comments>http://www.rulegallery.com/following/rulegallery.com/MARGARET-NEUMANN</comments>
		<pubDate>Thu, 19 May 2011 19:35:26 +0000</pubDate>

		<dc:creator>RULE Gallery</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">673272</guid>
		<description>MARGARET NEUMANN
Margaret Neumann's work explores the emotional landscape of thoughts and feelings that form our sense of self. Whether we choose to face them or not, these emotions are universal, and ultimately form the basis of religious and spiritual institutions, as well as political and ideological movements across time and cultures.  Many of these emotions relate to man's vulnerability in the universe, and our attempt to find safety and 'certainty' no matter how small or how briefly. 

Neumann's paintings explore the process we go through to find, understand and come to terms with these emotions - a process that requires a peeling away of layers of defenses and fears. Indeed, Neumann's painting method mirrors this process, but rather than peeling away, she 'layers up', beginning with a vague idea and unformed figures to a set of floating images embedded in and emerging out of the paint itself. Like the many layers of the self, Neumann builds up surfaces stroke by stroke until she sees an image that conveys the struggles confronted by the human psyche.  

Neumann received a Master's of Fine Arts at the University of Colorado in Boulder in 1969.  Before that she attended Colorado College and spent a summer in the Art Department at Columbia University.  She currently paints full time and is represented by Rule Gallery. She has shown in other venues including a solo exhibit at the Museum of Contemporary Art, Denver, group shows at Sebastian-Moore, and the Mizel Museum.  She was the recipient of the Governor's Award and is she currently has a studio at Red Line.


&#60;img src="http://payload.cargocollective.com/1/1/55761/673272/MN_BadBoys.jpg" border="0" width="392" height="425" width_o="392" height_o="425" src_o="http://payload.cargocollective.com/1/1/55761/673272/MN_BadBoys_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/1/55761/673272/MN_DeerinWinterLight_1.jpg" border="0" width="400" height="425" width_o="400" height_o="425" src_o="http://payload.cargocollective.com/1/1/55761/673272/MN_DeerinWinterLight_1_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/1/55761/673272/MN_Emergence.jpg" border="0" width="386" height="425" width_o="386" height_o="425" src_o="http://payload.cargocollective.com/1/1/55761/673272/MN_Emergence_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/1/55761/673272/MN_Ephesus_2.jpg" border="0" width="400" height="425" width_o="400" height_o="425" src_o="http://payload.cargocollective.com/1/1/55761/673272/MN_Ephesus_2_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/1/55761/673272/MN_MothersofRomulusRemus_4.jpg" border="0" width="400" height="425" width_o="400" height_o="425" src_o="http://payload.cargocollective.com/1/1/55761/673272/MN_MothersofRomulusRemus_4_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/1/55761/673272/MN_PinkSwimmer_9.jpg" border="0" width="397" height="425" width_o="397" height_o="425" src_o="http://payload.cargocollective.com/1/1/55761/673272/MN_PinkSwimmer_9_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/1/55761/673272/MN_Push_10.jpg" border="0" width="394" height="425" width_o="394" height_o="425" src_o="http://payload.cargocollective.com/1/1/55761/673272/MN_Push_10_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/1/55761/673272/MN_SilentDreams_11.jpg" border="0" width="400" height="425" width_o="400" height_o="425" src_o="http://payload.cargocollective.com/1/1/55761/673272/MN_SilentDreams_11_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/1/55761/673272/MN_VoyageLongTimeAgo.jpg" border="0" width="400" height="425" width_o="400" height_o="425" src_o="http://payload.cargocollective.com/1/1/55761/673272/MN_VoyageLongTimeAgo_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/1/55761/673272/MN_WhereAreWeGoing_7.jpg" border="0" width="400" height="425" width_o="400" height_o="425" src_o="http://payload.cargocollective.com/1/1/55761/673272/MN_WhereAreWeGoing_7_o.jpg" align="left" /&#62; </description>
		<wfw:commentRss></wfw:commentRss>

	</item>
		
		
	<item>
		<title>WILMA FIORI</title>
		<link>http://www.rulegallery.com/WILMA-FIORI</link>
		<comments>http://www.rulegallery.com/following/rulegallery.com/WILMA-FIORI</comments>
		<pubDate>Wed, 13 Apr 2011 22:23:51 +0000</pubDate>

		<dc:creator>RULE Gallery</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">1306424</guid>
		<description>WILMA FIORI
	Trained as a representational artist, Wilma Fiori was subsequently drawn to anthropology by the abstraction of primitive art.  In the early l980’s she volunteered as a curatorial assistant to Richard Conn in the Native Arts Department of the Denver Art Museum.  Fiori has taken a Zen-like journey as she has evolved into a minimalist painter using color and texture as subjects and employing the elements of art in their purest form.  Her media are oil, encaustic and acrylic. 

Fiori was a long-time student of Dale Chisman and also studied with Bill Joseph, Quang Ho, Jerry de la Cruz, Jeffrey Keith and Mark Lunning.		




&#60;img src="http://payload.cargocollective.com/1/1/55761/1306424/WF_BlackAndTan.jpg" border="0" width="600" height="541" width_o="600" height_o="541" src_o="http://payload.cargocollective.com/1/1/55761/1306424/WF_BlackAndTan_o.jpg" align="left" caption="&#38;lt;Center&#38;gt;&#38;lt;i&#38;gt;Black and Tan (Market Street Series&#38;lt;/i&#38;gt;, 1993, oil on canvas, 32.5 x 36.5&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1306424/WF_RedOnRed.jpg" border="0" width="566" height="600" width_o="566" height_o="600" src_o="http://payload.cargocollective.com/1/1/55761/1306424/WF_RedOnRed_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Red on Red&#38;lt;/i&#38;gt;, 1993, oil on canvas, 37 x 35 inches&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1306424/WF_TheBlues.jpg" border="0" width="486" height="600" width_o="486" height_o="600" src_o="http://payload.cargocollective.com/1/1/55761/1306424/WF_TheBlues_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;The Blues&#38;lt;/i&#38;gt;, 2005, oil on canvas, 48 x 60 inches&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1306424/WF_Untitled.jpg" border="0" width="600" height="401" width_o="600" height_o="401" src_o="http://payload.cargocollective.com/1/1/55761/1306424/WF_Untitled_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Untitled&#38;lt;/i&#38;gt;, 2007, diptych, encaustic and oil on canvas, 24 x 36 inches&#38;lt;/center&#38;gt;"/&#62; 
</description>
		<wfw:commentRss></wfw:commentRss>

	</item>
		
		
	<item>
		<title>LAURA FAYER</title>
		<link>http://www.rulegallery.com/LAURA-FAYER</link>
		<comments>http://www.rulegallery.com/following/rulegallery.com/LAURA-FAYER</comments>
		<pubDate>Tue, 22 Mar 2011 23:07:28 +0000</pubDate>

		<dc:creator>RULE Gallery</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">1206184</guid>
		<description>LAURA FAYER
Laura Fayer paintings draw on various structures and systems to produce a loose geometry with organic rhythms. She relies mainly on her hand-crafted tools such as stencils and over-sized rubber stamps to construct her multi-layered paintings. As part of her process, she studies the natural and built environment; among her many references are architecture, aerial views of the landscape, language and musical structure. She also draws upon her memories of childhood years in Japan: her work reflects the wabi-sabi aesthetic--a Japanese concept of beauty that includes simplicity, unpretentiousness and imperfection.

Laura Fayer is a painter living and working in New York City. A graduate of Harvard University in Visual and Environmental Studies, Fayer also holds an MFA in painting from Hunter College in New York City.  She is a recent recipient of a grant from the Pollock-Krasner Foundation. Fayer's work has been exhibited in galleries nationally and internationally. She was awarded grants from International Residencies for Artists and the Massachusetts Cultural Council. She has also been a fellow at the MacDowell Colony in NH, Yaddo in Saratoga Springs, NY, and the Bemis Center for Contemporary Art in Omaha. 


&#60;img src="http://payload.cargocollective.com/1/1/55761/1206184/LF_beeline.jpg" border="0" width="478" height="600" width_o="478" height_o="600" src_o="http://payload.cargocollective.com/1/1/55761/1206184/LF_beeline_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Beeline&#38;lt;/i&#38;gt;, 2006, acrylic and rice paper on canvas, 10 x 8 inches&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1206184/LF_ClearedForLanding.jpg" border="0" width="458" height="600" width_o="458" height_o="600" src_o="http://payload.cargocollective.com/1/1/55761/1206184/LF_ClearedForLanding_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Cleared for Landing&#38;lt;/i&#38;gt;, 2006, acrylic and rice paper on canvas, 20 x 16 inches&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1206184/LF_Coax.jpg" border="0" width="353" height="600" width_o="353" height_o="600" src_o="http://payload.cargocollective.com/1/1/55761/1206184/LF_Coax_o.jpg" align="left" caption="&#38;lt;i&#38;gt;Coax&#38;lt;/i&#38;gt;, 2004, acrylic and rice paper on canvas, 82 x 48 inches"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1206184/LF_DayBreak.jpg" border="0" width="476" height="600" width_o="476" height_o="600" src_o="http://payload.cargocollective.com/1/1/55761/1206184/LF_DayBreak_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Daybreak&#38;lt;/i&#38;gt;, 2006, acrylic and rice paper on canvas, 56 x 42 inches&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1206184/LF_Excavation.jpg" border="0" width="347" height="600" width_o="347" height_o="600" src_o="http://payload.cargocollective.com/1/1/55761/1206184/LF_Excavation_o.jpg" align="left" caption="&#38;lt;i&#38;gt;Excavation&#38;lt;/i&#38;gt;, 2006, acrylic and rice paper on canvas, 75 x 44 inches"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1206184/LF_FlightofFancy.jpg" border="0" width="465" height="600" width_o="465" height_o="600" src_o="http://payload.cargocollective.com/1/1/55761/1206184/LF_FlightofFancy_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Flight of Fancy&#38;lt;/i&#38;gt;, 2006, mixed media on canvas, 20 x 16 inches&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1206184/LF_FuturePerfect.jpg" border="0" width="468" height="600" width_o="468" height_o="600" src_o="http://payload.cargocollective.com/1/1/55761/1206184/LF_FuturePerfect_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Future Perfect&#38;lt;/i&#38;gt;, 2006, mixed media on canvas, 20 x 16 inches&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1206184/LF_Haiku.jpg" border="0" width="479" height="600" width_o="479" height_o="600" src_o="http://payload.cargocollective.com/1/1/55761/1206184/LF_Haiku_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Haiku&#38;lt;/i&#38;gt;, 2007, acrylic and rice paper on canvas, 10 x 8 inches&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1206184/LF_HandinHand.jpg" border="0" width="473" height="600" width_o="473" height_o="600" src_o="http://payload.cargocollective.com/1/1/55761/1206184/LF_HandinHand_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Hand in Hand&#38;lt;/i&#38;gt;, 2006, acrylic and rice paper on canvas, 10 x 8 inches&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1206184/LF_HangTen.jpg" border="0" width="465" height="600" width_o="465" height_o="600" src_o="http://payload.cargocollective.com/1/1/55761/1206184/LF_HangTen_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Hang Ten&#38;lt;/i&#38;gt;, 2006, acrylic and rice paper on canvas, 10 x 8 inches&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1206184/LF_KeepingAfloat.jpg" border="0" width="468" height="600" width_o="468" height_o="600" src_o="http://payload.cargocollective.com/1/1/55761/1206184/LF_KeepingAfloat_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Keeping Afloat&#38;lt;/i&#38;gt;, 2006, acrylic and rice paper on canvas, 62 x 48 inches&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1206184/LF_KnockOnWood.jpg" border="0" width="480" height="600" width_o="480" height_o="600" src_o="http://payload.cargocollective.com/1/1/55761/1206184/LF_KnockOnWood_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Knock on Wood&#38;lt;/i&#38;gt;, 2006, acrylic and rice paper on canvas, 20 x 16 inches&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1206184/LF_LionsShare.jpg" border="0" width="476" height="600" width_o="476" height_o="600" src_o="http://payload.cargocollective.com/1/1/55761/1206184/LF_LionsShare_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Lions Share&#38;lt;/i&#38;gt;, 2006, acrylic and rice paper on canvas, 20 x 16 inches&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1206184/LF_Pledge.jpg" border="0" width="477" height="600" width_o="477" height_o="600" src_o="http://payload.cargocollective.com/1/1/55761/1206184/LF_Pledge_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Pledge&#38;lt;/i&#38;gt;, 2006, mixed media on canvas, 30 x 22 inches&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1206184/LF_Pulse.jpg" border="0" width="301" height="600" width_o="301" height_o="600" src_o="http://payload.cargocollective.com/1/1/55761/1206184/LF_Pulse_o.jpg" align="left" caption="&#38;lt;i&#38;gt;Pulse&#38;lt;/i&#38;gt;, 2004, mixed media on canvas, 40 x 20 inches&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1206184/LF_Rendezvous.jpg" border="0" width="353" height="600" width_o="353" height_o="600" src_o="http://payload.cargocollective.com/1/1/55761/1206184/LF_Rendezvous_o.jpg" align="left" caption="&#38;lt;i&#38;gt;Rendezvous&#38;lt;/i&#38;gt;, 2004, acrylic and rice paper on canvas, 82 x 48 inches&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1206184/LF_SomewhereElse.jpg" border="0" width="440" height="600" width_o="440" height_o="600" src_o="http://payload.cargocollective.com/1/1/55761/1206184/LF_SomewhereElse_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Somewhere Else&#38;lt;/i&#38;gt;, 2006, mixed media on board, 30 x 22 inches&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1206184/LF_SongBird.jpg" border="0" width="476" height="600" width_o="476" height_o="600" src_o="http://payload.cargocollective.com/1/1/55761/1206184/LF_SongBird_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Songbird&#38;lt;/i&#38;gt;, 2007, acrylic and rice paper on canvas, 10 x 8 inches&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1206184/LF_SpringGarden.jpg" border="0" width="600" height="395" width_o="600" height_o="395" src_o="http://payload.cargocollective.com/1/1/55761/1206184/LF_SpringGarden_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Spring Garden&#38;lt;/i&#38;gt;, 2002, acrylic and rice paper on canvas, 29.75 x 40 inches&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1206184/LF_TheSimpleLife.jpg" border="0" width="475" height="600" width_o="475" height_o="600" src_o="http://payload.cargocollective.com/1/1/55761/1206184/LF_TheSimpleLife_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;The Simple Life&#38;lt;/i&#38;gt;, 2007, acrylic and rice paper on canvas, 10 x 8 inches&#38;lt;/center&#38;gt;"/&#62; 

&#60;img src="http://payload.cargocollective.com/1/1/55761/1206184/LF_WishList.jpg" border="0" width="479" height="600" width_o="479" height_o="600" src_o="http://payload.cargocollective.com/1/1/55761/1206184/LF_WishList_o.jpg" align="left" caption="&#38;lt;center&#38;gt;&#38;lt;i&#38;gt;Wish List&#38;lt;/i&#38;gt;, 2007, acrylic and rice paper on canvas, 10 x 8 inches&#38;lt;/center&#38;gt;"/&#62; 

</description>
		<wfw:commentRss></wfw:commentRss>

	</item>
		
	</channel>
</rss>